Bio
Janet Olivia Henry (b. 1947; East Harlem, New York) lives and works in Jamaica, Queens, New York. She was educated at the School of Visual Arts and the Fashion Institute of Technology, and received a fellowship in education from the Metropolitan Museum of Art. In partnership with filmmaker Linda Goode Bryant, Henry produced Black Currant, a magazine which highlighted the experimental work of artists who were showcased by Just Above Midtown Gallery (JAM).
Henry has exhibited work at the Museum of Modern Art, New York; PPOW Gallery, New York; the New Museum, New York; Studio Museum in Harlem, New York; the Newark Museum, New Jersey; Artists Space, New York; and Just Above Midtown, New York. Her work has been reviewed and featured in the New York Times, The New Yorker, Hyperallergic, and Smithsonian Magazine, among others.
As as an art administrator, Janet Henry has worked at the New York State Council on the Arts, the education department at the Studio Museum in Harlem, and the Jamaica Center for Arts and Learning, as an educator at the Lower Eastside Girls Club Studio in a School, and recently retired from teaching grades one through eight at Brooklyn Heights Montessori School.
Solo Exhibitions & Installations
2024 Janet Olivia Henry Recent Academic Abstractions, Stars Gallery, LA
2004 "Two Series," Lower Eastside Girl's Club, NYC
2003 “Janet Henry Recent Work,” Cedar Crest College, Allentown, PA
2002 “American Anatomy and Other Work”, PPOW Gallery, NYC
1998 “In Situ,” John Jay College, NYC
1995 “American Anatomy,” Hallwalls, Buffalo, NY
1995 “American Anatomy,” Pulse Art, NYC
1992 “Social Commentary Sewn-up in Vinyl,” Seventh St Photo Gallery, NYC
1990 “Collecting, Organizing and Transposing,” Snug Harbor Cultural Center, SI, NY
1982 “Janet Henry Retroactive,” Just Above Midtown Gallery (JAM), NYC
1981 “Handel Was No Fool,” Basement Workshop, NYC
Press
NY Times | A Utopian Space for Black Artists, Reimagined at MoMA
NY Times | Review: A.I.R. Gallery Catches Up on Some Unfinished Business
NY Times | JAM, a Gate-Crashing Gallery, Expanded the Idea of Blackness
Contemporary Art Review | Janet Olivia Henry at STARS
Studio International | Just Above Midtown: Changing Spaces
The New Yorker | Just Above Midtown: Changing Spaces
LA Review of Books | Just Above Midtown: Changing Spaces
The Art Newspaper | The Big Review: Just Above Midtown at the Museum of Modern Art
Art Forum | Malik Gaines on “Just Above Midtown: Changing Spaces”
Vogue | The 29 Art Exhibitions We Can’t Wait to See This Year
Full CV available here